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Echoes Among the Stones

Audiobook
1 of 1 copy available
1 of 1 copy available
After Aggie Dunkirk's career is unceremoniously ended by her own mistakes, she finds herself traveling to Wisconsin, where her grandmother, Mumsie, lives alone in her rambling old home. She didn't plan for how eccentric Mumsie has become, obsessing over an old, unsolved crime scene—even going so far as to re-create it in the dollhouse. Mystery seems to follow her when she finds work as a secretary helping to restore the flooded historical part of the cemetery. Forced to work with the cemetery's puzzling, yet attractive archeologist, she exhumes the past's secrets and unwittingly uncovers a crime that some will go to any length to keep quiet—even if it means silencing Aggie. In 1946, Imogene Flannigan works in a local factory and has eyes on owning her own beauty salon. But coming home to discover her younger sister's body in the attic changes everything. Unfamiliar with the newly burgeoning world of criminal forensics and not particularly welcomed as a woman, Imogene is nonetheless determined to stay involved. As her sister's case grows cold, Imogene vows to find justice . . . even if it costs her everything.
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    • Publisher's Weekly

      October 14, 2019
      A decades-old murder case brings together a grandmother and granddaughter in this excellent inspirational mystery from Wright (The House on Foster Hill). Imogene Grayson discovered her sister, Hazel, murdered in their attic in 1946 and has devoted her life to finding justice. Seventy years later, and no closer to knowing the truth, Imogene is a grumpy nonagenarian who’s never gotten over the loss of her beloved sister. Imogene’s granddaughter, Aggie Dunkirk, receives a letter from Imogene requesting a visit while she recovers from a broken hip. Grudgingly, Aggie complies, only to discover that Imogene has lied about her broken hip to gain Aggie’s sympathy, there is a skeleton in her backyard, and she has a disturbing dollhouse that appears to be a recreation of a murder scene. In sections set in the mid-century, Imogene begins her investigation which quickly goes cold. In sections set in the present, Aggie takes a job restoring a flooded cemetery with handsome archaeologist Collin O’Shaughnessy. Together they discover secrets among the graves, along with roses with messages written on the petals. They soon realize someone wants them to stay away from the grave of Hazel Grayson, and when Aggie makes the connection to her grandmother, she dives fully into solving the mystery of Hazel’s murder. Wright eloquently weaves in Imogene’s faith and belief in redemption, and the prose easily jumps between the two eras as Aggie gets closer to the truth. Fans of Terri Blackstock will love this. Agent: Janet Kobobel, Books & Such

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  • English

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