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R is for Ricochet

Audiobook
1 of 1 copy available
1 of 1 copy available
R is for Ricochet is another thrilling installment in Sue Grafton's Kinsey Millhone series.
Reba Lafferty was a daughter of privilege, the only child of an adoring father. Over the years, he quietly settled her many scrapes with the law, but he wasn't there for her when she was convicted of embezzlement and sent to the California Institute for Women. Now, at thirty-two, she is about to be paroled, having served twenty-two months of a four-year sentence. Nord Lafferty wants to be sure she stays straight, stays at home and away from the drugs, the booze, the gamblers.
It seems a straightforward assignment for Kinsey: babysit Reba until she settles in, make sure she follows all the rules of her parole. Maybe all of a week's work. Nothing untoward–the woman seems remorseful and friendly. And the money is good. But life is never that simple, and Reba is out of prison less than 24 hours when one of her old crowd comes circling around.
Readers have come to expect the unexpected from Sue Grafton, and R is for Ricochet is no exception. In it, a complex and clever money-laundering scheme is just a cover for a novel that is all about love: love gone wrong, love betrayed, love denied. And love avenged. For Reba Lafferty, its moral is clear: Sometimes what you hand out in life comes back to bite you in the ass. Sometimes the good guys win, even when they lose.
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    • AudioFile Magazine
      In the latest Kinsey Millhone mystery, Kinsey is hired by an aged, wealthy man to retrieve his daughter from prison, where she has served time for embezzlement. Kinsey quickly figures out that the girl isn't an embezzler but instead has done time for her money-laundering boss. All heck breaks loose. Judy Kaye has a warm, rich voice that seems just right for Grafton's P.I. Her delivery mirrors the smart-aleck tenor of much of Kinsey's dialogue. Strangely though, when Kaye is interpreting a male character (and there are many), she raises her voice to a higher register, so that many of the men sound like adolescents with changing voices, or worse, like chipmunks. It may be Kaye's subtle social comment, though. For once the listener adapts, this odd gender reversal seems natural. R.E.K. (c) AudioFile 2004, Portland, Maine
    • Publisher's Weekly

      June 14, 2004
      Bestseller Grafton offers more of the same-old same-old in her less-than-inspired 18th Kinsey Millhone novel (after 2002's P Is for Peril
      ). In this sexy adventure, the spunky hard-boiled detective has to escort the newly paroled Reba Lafferty, privileged ne'er-do-well, to her stately home, keeping her on the straight and narrow. Reba challenges the PI with her barely concealed hankerings for the now off-limits booze, gambling and charming Alan Beckwith, married real estate developer and former employer for whom Reba took a two-year barbwire vacation courtesy of the California Institution for Women. Lust is in the air as studly, stylish cop Cheney Phillips enters in his red Mercedes, fanning the flames with Kinsey, when Beckwith's activities catch the eye of the feds. Kinsey lends a supportive ear to her beloved 87-year-old landlord, smitten by a 70-year-old neighbor. Kinsey and Reba team up to get the goods on Beckwith, but reckless Reba has vengeful ideas of her own and more than once lands their collective fat in the fire. If the chemistry between Cheney and Kinsey seems forced at times, Grafton as usual creates believable and enduring characters and a strong sense of place in her town of Santa Teresa circa 1987. And that should be more than enough for most fans. Agent, Molly Friedrich at the Aaron Priest Literary Agency. (July 13)

      Forecast:
      A decline in quality in this iconic series hardly matters. A national author tour will help fuel another bestseller. BOMC Main Selection, main selection of Doubleday Book Club, Literary Guild and Mystery Guild.

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  • OverDrive Listen audiobook

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Languages

  • English

Levels

  • Text Difficulty:9-12

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