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Vladimir Nabokov's Speak, Memory

Bookmarked

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1 of 1 copy available
1 of 1 copy available

"Birkerts reads Nabokov even as he allows Nabokov to read him. This is reading as high art, exhilarating and wise."—CHRISTOPHER BENFEY, author, Red Brick, Black Mountain, White Clay

"Much more than an exercise in literary criticism, this short book increasingly reads as a profound, sensitive, insightful meditation on family, history, time, language, the nature of artistic inspiration, and, in the end, even the meaning of life."—OLGA GRUSHIN, author, The Dream Life of Sukhanov and Forty Rooms

"Like Nabokov's, Birkerts' book is both a nuanced excursion into the nature of memory and a reminder that reading and writing are acts of noticing. This is a supremely alert book about a supremely alert book." —JOAN WICKERSHAM, author, The Suicide Index

Vladimir Nabokov's Speak, Memory is one of the most critically acclaimed memoirs of the twentieth century. In this classic account of his life, Nabokov writes about his idyllic Russian childhood in an aristocratic family, the Bolshevik revolution that led to his exile from Russia, and the path that would eventually lead him to live in America.

In the latest volume in Ig's Bookmarked series, celebrated author and critic Sven Birkerts writes about how Speak, Memory not only intersects with various central life-concerns (exile, serendipity and coincidence, childhood, literary redemption), but is also vital to understanding the workings of memory in literature.

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    • Kirkus

      October 1, 2020
      Nabokov's memoir inspires a literary critic in this latest entry in the publisher's Bookmarked series. Essayist, editor, and memoirist Birkerts, preoccupied by thoughts of "time, memory, patterns," was drawn to Speak, Memory, the Russian author's finely crafted rendering of his past. In a sensitive, sympathetic examination of the memoir, Birkerts focuses both on Nabokov's revelations about his life and, in close detail, on his craft: how "he worked his strategies from page to page." As a memoirist himself, Birkerts looks to Nabokov as exemplar: How does one write a memoir? What unconscious forces shape it? He admires Nabokov's ability to convey details about his childhood while maintaining authorial distance: "the naive before presented through the filter of the sophisticated after." Birkerts had been unpleasantly surprised by the response of many people he portrayed in his own memoir; some felt miscast and others slighted because they played only a small part. Nabokov, he notes, "chose to honor the essential privacy of his immediate family" while at the same time making his narrative seem intimate, choosing even to include family photos. Besides seeing Nabokov as his "guide and inspiration," Birkerts feels an affinity for his experience of exile, nostalgia, and cultural dislocation. The son of Latvian immigrants, Birkerts, too, grew up feeling "an inner split," which generated in him an abiding penchant "for contemplating the past." He charts his responses to rereading the book at several different times in his life as well as his growing admiration for "the lyricism, the unwinding brilliance of the sentences." He closely examines the "sardonic, playful, melancholic, fanatically precise" quality of the author's voice on the page. Along with discoursing on themes of "eternity and infinity," Birkerts closes by reflecting on "the sweeping cultural transition" from analog to digital that he has long decried, reflections that set his response to Nabokov in context. A thoughtful consideration of an iconic memoir.

      COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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